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Culture and Society at Lullingstone Roman Villa
Culture and Society at Lullingstone Roman Villa paints a picture of what life might have been like for the inhabitants of the villa in the late third and fourth centuries AD.The villa today, in the Darent Valley, Kent, has an unusual amount of well-preserved evidence for its interior decoration and architecture.Seventy years on from the commencement of the excavation of the site, this study draws on the original reports but also embraces innovative approaches to examining the archaeological evidence and sheds new light on our understanding of the villa’s use.For the first time, the site of Lullingstone Roman Villa is surveyed holistically, developing a plausible argument that the inhabitants used domestic space to assert their status and cultural identity. An exploration of the landscape setting asks whether property location was as important a factor in the time of Roman Britain as it is today and probes the motives of the villa’s architects and their client.Lullingstone’s celebrated mosaics are also investigated from a fresh perspective.Why were these scenes chosen and what impact did they have on various visitors to the villa?Comparison with some contemporary Romano-British villas allows us to assess whether Lullingstone is what we would expect, or whether it is exceptional.Examples from the wider Roman world are also introduced to enquire how Lullingstone’s residents adopted Roman architecture and potentially the social customs which accompanied it.
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Luxury and Visual Culture
From couture fashion to opulent perfumes and decadent food, the luxury goods and services industry has grown at an unprecedented rate even in the context of a global recession.But in contemporary digital culture does luxury still reside in material things, or rather the look of things?In this first study of luxury through the lens of visual culture, Armitage argues that luxury is undergoing a shift from material culture to the immaterial culture of the visual, offering new forms of luxury engagement and unparalleled levels of pleasure never before offered to the senses. Calling for a new understanding of luxury in the changing visual landscape of contemporary society, Luxury and Visual Culture embraces an extraordinary range of cultural forms, including fashion, photography, social media, television, and art.From the masterpieces of Damien Hirst and Jeff Koons, to Richard Avedon’s photography and Louis Vuitton's Flagship stores, the book explores key issues of globalization, digitization, consumer identity, “mass” luxury, and the role of art.This text is ideal for all students of contemporary luxury studies, as well as scholars and researchers in the field of visual culture.
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The Vacation Rental : A Novel
A summer getaway triggers a psychological game of cat and mouse in a novel about the frightening damages of love, family, and obsession by the bestselling author of Open House and We Were Mothers. When Georgia rents her country home for the month of August, it’s off to the relaxing Connecticut shore for her; her husband, Tom; and their young daughter.It’s just what they need to ease family tensions and reconnect.All that’s left to do is leave behind their house keys—to a stranger. For Anna, Georgia and Tom’s house in the cool woodlands is a dream break from the oppressive heat of a New York City summer—and from an increasingly ill-fated relationship with her lover.A month apart and Anna can clear her head and reassess her future.She’s found the perfect place to do it. As the weeks wear on, Georgia and Anna discover that the pleasures of escape are as difficult to trust in as the comforts of home. And neither one can shake the feeling that something is about to go terribly wrong.
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The Vacation Rental : A Novel
A summer getaway triggers a psychological game of cat and mouse in a novel about the frightening damages of love, family, and obsession by the bestselling author of Open House and We Were Mothers. When Georgia rents her country home for the month of August, it’s off to the relaxing Connecticut shore for her; her husband, Tom; and their young daughter.It’s just what they need to ease family tensions and reconnect.All that’s left to do is leave behind their house keys—to a stranger. For Anna, Georgia and Tom’s house in the cool woodlands is a dream break from the oppressive heat of a New York City summer—and from an increasingly ill-fated relationship with her lover.A month apart and Anna can clear her head and reassess her future.She’s found the perfect place to do it. As the weeks wear on, Georgia and Anna discover that the pleasures of escape are as difficult to trust in as the comforts of home. And neither one can shake the feeling that something is about to go terribly wrong.
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Culture
One of our most brilliant minds offers a sweeping intellectual history that argues for the reclamation of culture’s value Culture is a defining aspect of what it means to be human.Defining culture and pinpointing its role in our lives is not, however, so straightforward.Terry Eagleton, one of our foremost literary and cultural critics, is uniquely poised to take on the challenge.In this keenly analytical and acerbically funny book, he explores how culture and our conceptualizations of it have evolved over the last two centuries—from rarified sphere to humble practices, and from a bulwark against industrialism’s encroaches to present-day capitalism’s most profitable export.Ranging over art and literature as well as philosophy and anthropology, and major but somewhat "unfashionable" thinkers like Johann Gottfried Herder and Edmund Burke as well as T.S. Eliot, Matthew Arnold, Raymond Williams, and Oscar Wilde, Eagleton provides a cogent overview of culture set firmly in its historical and theoretical contexts, illuminating its collusion with colonialism, nationalism, the decline of religion, and the rise of and rule over the "uncultured" masses.Eagleton also examines culture today, lambasting the commodification and co-option of a force that, properly understood, is a vital means for us to cultivate and enrich our social lives, and can even provide the impetus to transform civil society.
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Hindu Women's Property Rights in Rural India : Law, Labour and Culture in Action
Hindu women in India have independent right of ownership to property under the Law of Succession (The Hindu Succession Act, 1956).However, during the last five decades of its operation not many women have exercised their rights under the enactment.This volume addresses the issue of Hindu peasant women's ability to effectuate the statutory rights to succession and assert ownership of their share in family land.The work combines a critical evaluation of law with economic analyses into allocation of resources within the family as a means of addressing gender relations and explaining resulting gender inequalities.
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Luxury Brand and Art Collaborations : Postmodern Consumer Culture
Over the past decades, collaborative initiatives between luxury brands and the art world have been increasing in number and relevance.At first treated as a mere trend or as a marketing stunt, in time luxury-art collaborations have come to be acknowledged as one of the most effective ways luxury brands and artists can position themselves in today’s market, engaging with their clients and audiences.This book sheds light on the socio-cultural valence of luxury-art collaborations.The book explores luxury-art collaborations in the context of postmodern consumption, i.e. as a phenomenon deeply rooted in and emerging from the ways postmodern individuals value and consume objects, contents and ideas.More specifically, the book covers: how collaborations reflect the postmodern condition and liquid consumption practices (hybrid, temporary, hyperreal); the impact of luxury-art collaborations on the evolution of luxury stores and museums, and the emergence of hybrid spaces (art fairs, nomadic exhibitions, pop-up stores) – the temporal features of luxury-art collaborations (shortlived duration and fast-paced tempo) – how luxury-art collaborations reshuffle traditional status dynamics while drawing new boundaries of social distinction based on experience and access – why luxury brands and creatives are redefining their conventional identities, morphing into cultural entities and bricoleurs.The book appeals to a wide range of readers, from academics and students in art business, luxury studies, consumption behaviour, to professionals in the luxury industry and the art world.The book is also relevant to an international readership of non-specialists interested in current social and cultural matters.
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Cancer Culture
Upon the release of 2017's 'Anticult', Metal Hammer declared Decapitated 'a serious successor to the likes of Pantera and Lamb of God - a band who can draw new legions into the metal world as its new champions'. Instantly recognizable devastation and deceptively sinister hooks abound. Freshly minted Decapitated anthems, like the title track 'Cancer Culture', shimmer with sonically sharp production and unrelenting bombast.
Price: 34.99 £ | Shipping*: 0.00 £
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What is culture as luxury?
Culture as luxury refers to the idea that certain aspects of culture, such as art, music, fashion, and cuisine, are often associated with wealth, sophistication, and exclusivity. It suggests that access to and appreciation of high culture is a privilege reserved for the elite or those with disposable income. This concept can perpetuate social inequalities by reinforcing the idea that certain cultural experiences are only accessible to a select few who can afford them.
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What are luxury needs of the culture of existence?
The luxury needs of the culture of existence are those that go beyond basic survival and comfort. They are the desires and experiences that bring a sense of fulfillment, pleasure, and meaning to life. This could include things like travel to exotic destinations, fine dining experiences, high-end fashion, luxury cars, and exclusive access to events or experiences. These luxury needs are often associated with status, self-expression, and the pursuit of unique and exceptional experiences that enhance one's quality of life.
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What are event culture and time culture?
Event culture refers to the way in which events, such as festivals, concerts, and sporting events, shape and influence a society's values, beliefs, and behaviors. Time culture, on the other hand, refers to the way in which a society perceives and organizes time, including concepts of punctuality, scheduling, and the pace of life. Both event culture and time culture play a significant role in shaping social interactions, traditions, and overall societal norms.
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Which culture is the best culture in the world?
It is not appropriate to label any one culture as the "best" in the world as every culture has its own unique strengths and values. Each culture contributes to the diversity and richness of the world, and it is important to respect and appreciate the differences among them. Instead of comparing cultures, it is more valuable to learn from and celebrate the diversity of cultures around the world.
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Why is Turkish culture often confused with Arab culture?
Turkish culture is often confused with Arab culture due to several factors. Firstly, both cultures are located in the Middle East and share some similarities in language, religion, and traditional customs. Additionally, there is a historical connection between the two regions through the Ottoman Empire, which had a significant influence on Arab countries. Furthermore, the media and popular culture often portray a homogenized view of the Middle East, leading to misconceptions and generalizations about the diverse cultures within the region. However, it is important to recognize and appreciate the distinct differences and unique aspects of Turkish and Arab cultures.
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Is culture important?
Yes, culture is important because it shapes our identity, beliefs, values, and behaviors. It provides a sense of belonging and connection to others within a community. Culture also influences how we communicate, express ourselves, and understand the world around us. Embracing and respecting different cultures can lead to greater understanding, empathy, and cooperation among diverse groups of people.
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Is it worth having a vacation rental property?
Having a vacation rental property can be worth it for some people, as it can provide a source of passive income and potential tax benefits. Additionally, it can offer the flexibility to use the property for personal vacations when it's not being rented out. However, it also comes with responsibilities such as property management, maintenance, and dealing with guests. It's important to carefully consider the costs, time commitment, and potential risks before investing in a vacation rental property.
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What is the difference between historical culture and memory culture?
Historical culture refers to the collective understanding and interpretation of historical events, traditions, and customs within a society. It encompasses the tangible and intangible aspects of a society's past, including artifacts, monuments, and rituals. Memory culture, on the other hand, focuses on the ways in which a society actively engages with and remembers its history. It involves the processes of commemoration, memorialization, and the transmission of historical knowledge through storytelling, education, and public discourse. While historical culture is the broader framework of a society's historical identity, memory culture is the active, dynamic practice of remembering and interpreting that history.
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